The Mavic 2 Zoom has a lot going for it, excellent battery life and fantastic range, but the unique feature is obviously the zoom lens. While the dolly zoom is a fun effect, the flexibility that the zoom lens brings to the table is what’s most exciting.
The Zoom Lens
Of course, you can more discretely shoot from further away. But more than that, you can compress the scene with longer focal lengths, bringing foreground and background together. This opens up a lot of possibilities for your compositions and gives you a new perspective.
While in Jamaica for a shoot, I wanted to show off the landscape. Shooting straight out towards the water produced bland shots, so I decided to shoot along the coast. This is where the flexibility of the Mavic 2 Zoom came in handy. I backed up and zoomed in to compress the scene, which allowed me to include foreground interest. With a wider lens, I would have otherwise been too far away for a shot.
Adding layers by zooming
Mavic 2 Zoom at 48mm
I’ve never come away from a single location with a higher number of unique compositions. The long lens compression helps you come up with new shot ideas, flattens out your straight down shots, and makes it easier to cut out distracting elements.
Try flying in Tripod Mode for shots with foreground. This will keep you from flying too quickly past the foreground, which can be distracting for the viewer.
Shooting telephoto while flying will introduce more background movement to your camera moves. It looks elegant and isolates your subject within the scene. You’ll need to keep the camera locked on to your subject so that it doesn’t move within the frame, which will make the background whirl around your subject.
The Point of Interest Intelligent flight mode gives you a more accurate flight path for circular movements. You should practice this manually so that you can pivot around moving subjects as well.
48mm manual pivot
With all of the flexibility that comes with the zoom, you’ll need to make sure that the camera is set properly. This is very subjective, but I have a few tips from testing.
For a simple and nice looking image straight out of camera, I like a Color setting of Normal with a custom style setting of 0 sharpening, -3 contrast, and 0 Saturation. The boosts in the shadow range will give you more dynamic range, but it still looks nice and poppy.
For more dynamic range and flexibility while grading, try Color Setting D-Cinelike with custom style setting of 0 sharpening, -3 contrast, and 0 saturation. You’ll have a surprisingly flat image and more shadow detail than normal mode. You’ll need to color grade this in post, so find a workflow that you like. I prefer to use preset LUTs to dial in the color and contrast. SkyGrades Natural and Cinema LUTs were designed for the Mavic 2 Zoom and work like a charm.
The Mavic 2 Zoom is hands down the most fun I’ve had flying a drone. It’s important to remember that the Zoom can go to 24mm as well, giving you about 15% more field of view over the Mavic 2 Pro. The range and battery life are incredible, and the variable focal length opens up new possibilities in every situation.